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The manager then had to concoct the movie.
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Maggio’s’ movie describes the unprecedented deal Stigwood made with rising TV star John Travolta, locking him up for three movies. But the Beatles themselves balked, so Stigwood ran off with the Bee Gees and Eric Clapton (Cream having imploded) and set up shop in New York. The Australian born Stigwood was, at the first peak of his music career success, was described by the BBC as “diffident” and “awkward.” Early in his career he attached himself to Brian Epstein, and by the mid-60s the Beatles brainiac was ready to hand over the reins to his entire music kingdom to Stigwood. And that was truly the only way the man could be characterized as a “Saturday Night” kind of guy. The “Saturday Night” of the title is “ Saturday Night Fever,” an early foray into the movie world for Stigwood, who prior to the 1977 release had been running things for the likes of Cream and the Bee Gees. This movie, a documentary directed by John Maggio, part of HBO’s Bill-Simmons-produced “ Music Box” series, is an almost entirely laudatory work, celebrating a few of the greatest coups in the career of music manager and film producer Robert Stigwood. Confusingly for some, perhaps most confusingly for Billy Crystal fans, this movie has the same title as Crystal’s 1992 Anatomy of An Old-School Standup movie, an arguably interesting self-laceration under the guise of a laceration of an alter-ego.